Good to know.

NewFlight is a video production company in London that handles every stage of the production process — from concept development and scripting through filming, animation, design, and post-production. We produce commercials, brand films, motion graphics, event videos, testimonial films, and more for B2B brands and agencies across the UK.

We work primarily with B2B brands, marketing teams, creative agencies, and in-house communications departments. Our clients span luxury goods, FMCG, sports, energy, SaaS, consumer electronics, and HR technology — including Profound, Starbucks, Bremont, Yonex, Quantum Metric, NICE, and Dalkia/EDF.

The cost of video production in London varies depending on format, duration, complexity, and deliverables. NewFlight scopes every project individually, providing a transparent quote after an initial brief. Get in touch to discuss your budget and objectives.

Yes. NewFlight is a video production and animation studio in London. We produce motion graphics, character animation, animated explainers, and mixed-media content alongside live-action filming — all handled in-house.

Absolutely. We regularly work with employees and stakeholders who are not used to being on video. We guide contributors through the process, putting them at ease so the final result feels natural and genuine.

Timelines depend on the scope and format. A straightforward testimonial film may take a few weeks from brief to delivery; a multi-location commercial or brand film campaign may require several months. We are flexible and responsive when deadlines are tight.

Yes. NewFlight works with creative agencies across the UK as a trusted production partner — handling filming, animation, and post-production while the agency leads creative and client management. We become part of the team.

NewFlight is a video production company based in London, UK. We work with brands and agencies across the UK and internationally.

Yes. Event video is now the core of what we do. From our base in Ealing, London we film conferences, summits, product launches, sales kick-offs and all-hands across the UK, and we have filmed the same event series in New York and San Francisco. Recent events include the Zero Click series for Profound, MozCon and events for Tungsten Automation. Every event comes with multicam session recording, a same-day highlight reel, speaker cuts, attendee testimonials and social clips as standard.

It depends on how many cameras and crew you need, how many days the event runs, and what you want delivered afterwards. A single-day London conference with a two-camera crew, a same-day highlight reel and a set of social clips sits at a very different price from a three-day, multi-stage summit with full session edits and photography. Send us the date, venue and agenda and we will come back with a clear quote, usually within one working day.

Typically a highlight reel and a first batch of social clips within 24 hours of the final session, so you can post while the event is still being talked about. Full session edits, speaker cuts and attendee testimonials usually follow within two weeks. If you need a same-day edit to play at a closing party or send to press that evening, tell us when you book and we will plan the crew around it.

Yes. We are based in Ealing, London and cover events anywhere in the UK, bringing the same crew, kit and shot list with us. We also film abroad: we have shot the same event series for one client in London, New York and San Francisco so every edition looks and feels consistent. For events in the US we can also draw on local crew we have worked with before.

The interview can vary in length. We want to hear the story in full, so it can take anywhere from 20 minutes to an hour.

Usually company policy covers an interviewee’s release to film, edit and distribute. However, if you are unsure whether your policies cover it, or whether an interviewee is party to that agreement, please provide a release form per person being interviewed.

We will arrive with one cameraman / director and an interviewer, usually someone you’ve met before. Depending on the shoot we will have different equipment but usually 2 large floor standing lights, a professional camera and sometimes other equipment in flight cases.

We need quite a large space to film in which is quiet. A room at least 5m² is needed to film in for the equipment and chairs to sit on. The appearance of space is very important to give a relaxed and open feel to the film. We will need power and floor space with a clear area between camera and the interviewee. We will tape down cables but please be aware that they are a tripping hazard and can be dangerous.

Have as many attempts as you like to get your answer right. If you decide you want to repeat an answer just start from the beginning or ask us to repeat the question. We don’t expect to get the perfect response first time. Repeat the question in your answer. If we ask “what did you have for breakfast?” and you say “cornflakes”, we can’t easily use that sound bite in the film. A much better answer is “for breakfast, I had cornflakes” which is a complete thought. Think of it like a chat with someone who is keen to learn about you and your company. It’s tempting to rush through answers or script your responses, but by far the best answers come from calm, natural conversation. And people are interested, they want to learn from you, otherwise we wouldn’t be filming it. Remember, it’s our job to make you look and sound great.

Try to dress comfortably. Also think about where the microphone can clip on. Shirts are best to clip onto and jackets also work. High neck jumpers are more challenging. Pale colours are best, avoid reds or oranges or other bright colours. Don’t wear stripes or patterns, as they look distracting on some screens.

We may ask the interviewee to clip on their own microphone as a courtesy, but we may be required to clip it on ourselves around the neck area. The interviewee will be required to conceal the microphone cable under their clothes. If they ask for privacy we can leave the cable with them to feed through. Interviewees should wait for us to disconnect the mic before leaving as they’ll be connected.